Welcome back to our television serial making guidelines. If you need a recap we'd already seen the fixed kinds of necessities like storyline, characters or sets. Now let's proceed to moving ones.
The Story and Dialogue Writers: Having just one single writer is just a risky proposition. You should ideally have a table of writers, if one doesn't blow out of his/her mind the others deliver. Teri Meri Dooriyan The endless storyline needs a similarly endless way to obtain dialogues to carry on the show episode by episode. In a certain scene you will have to create the most possible dialogues and with this the board of writers would come as a bonus. When they quarrel over it, that's only natural, maybe you obtain a fresh twist-wish idea to include new angles-triangles or you will want to even a hyperbola in the story which could again generate new streams of dialogues. You will have to keep a watch on viewers too; boring them now and then is okay, but you should never drive them mad. The channel producers, remember?
The Director: Since you would be the director you should be the toughest nut to break. Okay it is your infant and naturally you prefer to be the best choice and friend-philosopher-guide. But in actual practice you should be described as a ruthless dictator taking decisions unilaterally and respecting no one nevertheless the channel producers. If your particular character actor is creating problems s/he must get killed in the serial; on the demand of the producers a dead character may have to be brought alive; some others may have to be replaced; ushering in an occasion transition or injecting one and more absurd characters into the serial; and, so on. Katha Ankahee Each one of these situations demand your decisions only. We advise you to keep 1 or 2 episode directors too as could be the case in several soaps. We have good reasons. First, one director is directly identifiable and is just a sitting duck for irate viewers, if any. Second, the endless monotony might be an excessive amount of for you personally and you might lose your sanity. Third, as for the channel producers the buck will always stop exclusively at your end only.
The Time Pass: Now pass is from the viewpoint of serial makers, not viewers. Making an endless serial is generally not very easy. So you should continue creating rooms for frequent time pass tactics. You do it by having merry go rounds of dramatic reaction shots parading all of your characters in the hall which could take you over a number of episodes; by having dialogues that never cease; giving extreme shock treatment to a number of characters who lose their capability to speak and communicate only through loud music which could last up to a number of episodes; by bringing in absurd characters and making their stories count; and, by the like.
Conclusion (?): Since each one of these guidelines are enforced relentlessly some normal doctrines like good wins over evil get neutralized. Yeh Rishta Kya Kehlata Hai serial Evildoers in serials continue doing evil which could include even murder as police authorities are never called in, because entry of police may veer the serial to a logical end. You simply compensate by creating temporary relief measures now and then. Thus, the antagonist becomes the main element to the success of endless serials. At the receiving end we are able to only try get used to it.
So, make your serial in India and have endless fun!
Chinmay Chakravarty is just a professional specialized in the creative field with over 2 full decades of experience in journalistic writing, media co-ordination, film script writing, film dubbing, film & video making, management of international film festivals and editing of books & journals. Proficient in providing professional services in these related fields. Presently employed in Mumbai Doordarshan as a News Editor.
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